Bag and baggage, if you speak english, you use words that Shakespeare coined and phrases he popularized, possibly without even knowing that they come from Shakespeare. Just about everyone says "there's method in his madness" or "all that glitters is not gold". Because Shakespeare's work is so well-known everywhere, the images of scenes from his plays are familiar to everyone. An image of Romeo standing below Juliet's balcony or Hamlet looking at a skull are recognizable by everyone and used as such. William Shakespeare created many new words such as "addiction champion "eyeball and "lonely" that we still use to this veryday, william Shakespeare used early modern English to write his plays. Shakespeare wrote in Early modern English. He also had two very specific other writing styles.
William Shakespeare biography, biography
For one, it was one of the first stories to be recorded in Old English during the Anglo-saxon time period. For two, it was also one of the first and only stories to combine the west Saxon dialect with the Anglian dialect of Old English. His vocabulary was larger than the average person. An average person's vocabulary is 10,000 words-15,000 words solaris if you are really smart. William Shakespeare's vocabulary was over 29,000 words! He invented roughly 200 of the words and/or phrases we use freely today in the English language. Here are a few. More sinned against than sinning. It's all greek. To act with father to the thought.
The theatre could also teach history (the henry vi plays) or indirectly discuss contemporary political crises (Richard ii is a historical play, but the issues it deals with were acutely relevant during the period it was written). A little after Shakespeare's time there were even plays about current affairs (Thomas Middleton's Game at Chess, or a chaste maid in Cheapside). The Elizabethan theatre was the world's first commercial entertainment medium, and in Elizabethan society it did the work that is now done by television, cinema, rock music, political rallies, and even newspapers. Shakespeare wasn't the only Elizabethan dramatist. Christopher Marlowe, john Webster, ben Jonson, Thomas Middleton, Thomas Decker are all also important. But Shakespeare was the best - and Elizabethan drama was certainly the begining of the modern entertainment industry, and in an important sense it was also the begining of the modern world. Beowulf effected the English number language for a few reasons.
(Actors were called over masterless men. The idea that someone could make money without either being born rich, or training in an established profession, was new and scandalous in Elizabethan society). Theatre was also unpopular with the upper classes because it was an entertainment medium which ordinary working people could afford. The company that Shakespeare joined - james Burbage' the lord Chamberlains Men - had the first custom-built playhouse in the world. Burbage built it himself (Burbage was a builder before he became involved with drama) and when it opened (sometime around 1577) there was no name for such a place - there had never been one before. Burbage invented a name: he called it The Theatre. Over the next sixty years (until in 1642 the religious fundamentalists had their way and closed all the theatres down) theatre became the first commercial entertainment medium in the world. Almost any working person could afford to go to the theatre (at least occasionally and - because theatre was performed by masterless men, who had no special essay interest in protecting the existing class-system or the existing church - theatre plays could discuss social issues (Othello.
Chaucer is credited by some scholars as the first author to demonstrate the artistic legitimacy of the English language, rather than French or Latin. The very first English tragedy was Norton and Sackville's Gorboduc, probably written around 1562 (two years before Shakespeare was born). Theatre as we know it did not exist before Shakespeare's time. There were miracle Plays, mystery Plays, and Mummer shows - but these were amateur perfomances with very simple stories which were usually performed connected with a religious festival. They were more like a christmas pantomime at the Church Hall than like a modern play. Commercial Theatre - professional actors producing plays for entertainment, and people paying money to see them - only began while Shakespeare was growing. The earliest playhouse of which we have record was the bull Inn (mentioned by richard Flecknoe in his Short Discourse of the English Stage ) which only began to offer real plays 'about the begining of queen Elizabeth's reign' (ie 1558). So when Shakespeare first arrived in London in the 1580's theatre was a new entertainment medium. It was very unpopular with the forces of social conservatism (including much of the aristocracy and almost all religious fundamentalists) since it enabled the ordinary people who became actors sometimes to become very rich.
Shakespeare 's Life: Top questions about, william Shakespeare
In, william Shakespeare made up new words to add to the English Language 37 people found this useful, william Shakespeare is known as the father of English Literature we think because of him inventing, creating plays that have been known almost everywhere around the globe. Also perhaps he started off a series of events to begin English Literature. He is also known as the father of the English language because he brought to notice so many disused words and mannerisms that are used at the present all the time. Thank you for reading our contribution, your sincerely, la shakespeare is not called bard. Shakespeare is The bard.
Bard is just a term for a poet-singer, minstrel, or for poet in general. Using this term for him in this way is a testament to his monumental status among the great writers in English. It is like calling him "The poet acknowledging that his is the work against which all other poetry however great can be measured and found wanting. William Shakespeare is generally not considered the father of English literature this is usually reserved for geoffrey chaucer who was an English author and poet. Although he wrote many works, he is best remembered for his work The canterbury tales.
The case for Marlowe is a largely American farrago of wishful thinking and speculative fantasy that is typically paranoid and often downright phoney. The maddest of all the anti-Stratfordian plots, the idea was wittily sent up in Tom Stoppard's screenplay for. For the hierophants of the marlowe society, however, their playwright was not murdered in a deptford tavern after a row about "the reckoning" (the bill) but spirited away to France through court connections (Marlowe was a spy). There, for the next 20-odd years, he wrote the plays attributed to Shakespeare, smuggling them back to london through diplomatic channels. Only slightly less loopy is the theory that Francis Bacon is the true and secret hand behind the plays. The baconians owe their ideas to the first of several conspiracy-minded Americans, a charismatic 19th-century bluestocking named Delia bacon.
Sir Francis Bacon had long been recognised as a renaissance great: scientist, courtier, philosopher, jurist and writer. On a conventional analysis, as Shapiro makes clear, just about the only thing at which he did not try his hand were plays or poems. That was no problem for Delia bacon. A close reading. Julius caesar, king lear and, coriolanus, she declared, revealed the collective effort of a "little clique of disappointed and defeated politicians" fighting a desperate covert battle against the "despotism" of Elizabeth and James. Delia bacon was a formidable advocate for her namesake. Of course no one individual could possibly have written the plays attributed to Shakespeare.
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All we know for certain is that Shaxpere, shaxberd, or Shakespear, was born in Stratford in 1564, that he was an actor whose name is printed, with the names short of his fellow actors, in the collected edition of his plays in 1623. We know that he married Anne hathaway, and died in 1616, according to legend, on his birthday, st george's day. The so-called "Stratfordian" case for Shakespeare rests on these, and a few other facts, but basically, that's. Into this vacuum, a bizarre fraternity, including tongue Mark Twain, Charlie chaplin, Orson Welles and Sigmund Freud, have projected a "Shakespeare" written by a more obviously accomplished writer: Edward de vere (the 17th earl of Oxford sir Francis Bacon and the playwright Christopher Marlowe, to name. This is the delusional world that Shapiro has chosen to explore. He justifies his investigation with an assertion of scholarly daring "this subject remains virtually taboo in academic circles" and claims that his interest is less in what people think about the authorship question, more why they think. "my attitude he goes on, "derives from living in a world in which truth is too often seen as relative and in which mainstream media are committed to showing both sides of every story.". In fairness to "mainstream media even the most half-baked investigative journalism would swiftly dismiss the main contenders. Starting with Shakespeare's great rival, Christopher Marlowe, who happens to have been born in the same year, 1564.
1592, rival dramatist Robert Greene made a deathbed attack on the "conceit" of the "upstart crow" from the provinces who considered himself "the onely Shake-scene". For Greene, and every subsequent Shakespeare conspiracy theorist, there was something enraging about the poet's genius. The explanation must be that Shakespeare was not original but an impostor "beautified with our feathers". Later generations went further. There was such an unbridgeable chasm between the complex brilliance of the plays and what they reveal about their author's education and experience, on the one hand, and the bare facts of Shakespeare's life, on the other, that a better explanation than "genius" had. Unquestionably, said the "anti-Stratfordians as they came to be known, the recorded life of the man called Shakespeare could not possibly yield the astonishing universality and dazzling invention of the canon. They had a point.
When I reviewed the book i called it "an unforgettable illumination of a crucial moment in the life of our greatest writer". Then came over the curse of the sequel. Word filtered back from the publishers that Shapiro's next book would pull the same trick with 1605/06, the year. Macbeth and, king lear. Shakespeare's life continued to pop up on the bestseller lists, david Tennant's. Hamlet came and went. Finally, in January, along came the first proof of Shapiro's new book. But no, it was not about 1605 or 1606.
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The following correction was printed in the Observer's For the record column, sunday march 21 2010. This article referred to the marlowe society as "hierophants" who believe that. Christopher Marlowe wrote the plays attributed to Shakespeare. But the policy page on its website ( marlowe-society. Org ) specifically states that the society is not dedicated to proving that Marlowe was the true author of the Shakespeare canon. Five years ago, james Shapiro, an American academic teaching at Columbia essay university in New York took the international world of Shakespeare by storm with a brilliant idea, an intimate history of the playwright through the prism of a single year. 1599: a year in the life of William Shakespeare was one of those books that seems so obvious it's amazing no one had thought of it before. Shapiro's chosen date was inspired: the annus mirabilis in which Shakespeare wrote, henry the fifth, julius caesar and, as you like it, back to back, and probably completed a first draft. Hamlet, not to mention revising several sonnets.